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Music by Giuseppe Verdi
Libretto by Francesco Maria Piave, after the tragedy Le roi s´amuse by Victor Hugo
Musical Director: Gianandrea Noseda
Stage Director: Irkin Gabitov
Designer: Sergei Grachev (after sketches by Tiziano Santi)
Costume Designer: Giovanna Avanzi
Lighting Designer: Damir Ismagilov
Lighting Adaptation for the Mariinsky II by Andrei Ponizovsky and Yegor Kartashov
Musical Preparation: Natalia Mordashova
Principal Chorus Master: Andrei Petrenko
Choreography: Alexandra Tikhomirova
Duke of Mantua: Sergei Skorokhodov
Rigoletto: Edem Umerov
Gilda: Anastasia Kalagina
Sparafucile: Yuri Vlasov
Maddalena: Yekaterina Krapivina
Count Monterone: Alexander Gerasimov
World premiere: 11 March 1851, Teatro La Fenice, Venice
Russian Premiere: 31 January 1853, Imperial Italian Opera, Bolshoi (Stone) Theatre, St Petersburg
Premiere of this production: 6 May 2005, Mariinsky Theatre, St Petersburg
New version: 6 March 2007, Mariinsky Theatre, St Petersburg
Running time 3 hours
The Performance has two intermissions
The action takes place in Mantua and its environs in the 16th century.
A ball is underway in a magnificent hall at the Duke's palace. The corrupt ruler boasts of his love conquests to the courtier Borsa: soon he will seduce the beautiful stranger whom he meets at church. At the ball, the Duke also begins to flatter the Countess Ceprano. His jester Rigoletto makes fun of the Countess' husband.
The courtiers plan to take revenge on the jester for his sharp tongue; one of them, Marullo, says that Rigoletto has set up home with a lover. Unexpectedly Count Monterone appears, having come to defend his daughter's tainted honour. But the hunchback's jokes shower no mercy on him. Monterone curses both the Duke and his servant.
On the way home, in a dark street Rigoletto meets Sparafucile, a hired assassin who offers him his services. Thoughts of the curse give the jester no peace. He thinks about his own contemptible position, and this makes his blood boil with even more hatred to the courtiers.
At home, Rigoletto greets his daughter, his only joy in life since his wife's death. They talk together companionably. Guarded from the world by the care and fear of her father, the young Gilda lives alone under the watchful eye of the servant Giovanna, together with whom she only leaves the house to go to church. As he departs, Rigoletto orders Giovanna to watch more carefully over the girl. The Duke observes them from his concealed position. He bribes the servant to keep her quiet. Calling himself Gualtier Maldè, a poor student, the Duke declares his love for Gilda. Their meeting is interrupted by a disturbance on the street and the Duke must flee. Left alone, the girl repeats the name of her unknown admirer.
Courtiers in disguise arrive at Rigoletto's house in order to abduct Gilda. On encountering the jester, the plotters convince him that they wish to abduct Count Ceprano's wife. Rigoletto falls for the bait and helps them abduct his own daughter. Gilda's cries are heard in the distance, and it is only then that he understands what has happened.
A hall in the palace. The Duke is perturbed: having returned to Gilda's home, he was unable to find her there. The courtiers then tell him about their nocturnal adventure and about kidnapping Rigoletto's lover. The Duke thus discovers that the girl is in the palace and hurries to her.
Rigoletto hides his grief behind his usual jester's mask. He knows that his daughter is in the palace and, after exploding in rage, he begs the courtiers to restore to him his only prized treasure. In tears, Gilda herself comes to her father and tells him about everything. Monterone is dragged passed towards the dungeon, grieving that his curses have no power. The hunchback swears revenge. Gilda begs for mercy, admitting that she loves the Duke.
A taverna on the shore of the river. Night. Rigoletto brings his daughter, who still loves the Duke, to see how he is amusing himself with another woman. The Duke is making love to Sparafucile's sister Maddalena. Gilda is left in despair. Rigoletto conseles her, promising a swift revenge. He sends his daughter to Verona, where they will meet later. Once Gilda has left, the jester gives Sparafucile an advance to kill the Duke - the rest will be paid when he receives the corpse.
A storm begins. The Duke falls asleep. Maddalena asks her brother to have mercy on him. Gilda, already prepared for the journey dressed as a man, returns and hears their conversation. Sparafucile agrees to kill the first man he meets before midnight instead of the Duke. Gilda understands that the time has come to act: the voice of love speaks louder than the voice of reason. She knocks at the door and falls under the blows of Sparafucile. The thunder diminishes. At midnight Rigoletto collects the sack with the body and is ready to throw it into the water. But in the night the Duke's singing can be heard. The hunchback tears open the sack and sees Gilda. As she dies, his daughter begs his forgiveness. Rigoletto falls over her body with the cry "La maledizione!"